The Clock in Room 12

The clock in Room 12 does not always agree with the present. Sometimes its hands move backwards, and when they do, the harbour outside slips quietly into another year. What begins as a curiosity—a young man in a wool coat, a letter clutched like a secret—becomes a meeting across time, brief as the swing of a pendulum. 

The Steps at Millford Cutting

There are certain places where time grows thin.

You've felt them, perhaps without knowing what they were—that moment on an empty stairwell when the air seems to thicken, or standing in a garden where the light falls strangely, as if filtered through older glass. These are the seams where one world touches another, where what was and what will be press against the fragile membrane of now.

The seven weathered steps at Millhope Cutting are such a place.

The View from the Sixth Floor

Some stories shout. This one whispers.

The View from the Sixth Floor isn't about dramatic revelation or sudden rescue. It's about the weight of a Saturday night when you're the only one not living it. About the specific loneliness of being surrounded by a city that hums with life you can't quite access.

Kate's evening unfolds in the small gestures we recognize but rarely admit to: the scroll through others' happiness, the message left unread, the effort of getting dressed for nowhere. This is a story of stasis—and the fragile, tentative moment when stillness begins to shift.

If you've ever felt like background noise in your own life, or wondered if anyone would notice your silence—this is for you.

Vespers, 1823

When Durham University student Christian experiences an inexplicable time-slip during his studies, he finds himself in Durham Cathedral on Christmas Eve, 1823. There he meets Robert, a choirboy who turns out to be his long-lost ancestor. Through shared song and a mysterious letter that exists simultaneously in past and present, Christian becomes the living link that completes a centuries-old family tradition, proving that some bonds transcend time. 

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