Foreword
What if every raindrop held a universe within it? What if the storms we shelter from carry not just water, but memories, possibilities, and the echoes of moments we thought were lost forever?
“The Rain Clock” is a story born from my French song “Le Monde dans Une Goutte de Pluie” — a tale that transforms the simple act of taking shelter from rain into a journey through time. In a forgotten clockmaker’s shop, where dust settles on frozen timepieces and the air shimmers with unspoken secrets, a woman discovers that some doors don’t just open onto rooms, but sometimes onto the past.
This is magical realism at its most tender — a story that asks what we might change if we could step back into our most precious moments, and what we might find waiting for us when we return. It’s about the weight of loss, the persistence of love, and the strange alchemy that can transform grief into something luminous.
Some stories are meant to be read in the rain. This is one of them.
Step inside. The clocks are waiting to tick again.
The Rain Clock
The rain began just as Elsie reached the edge of the village green — soft, melodic, not yet urgent. She opened her umbrella, but the wind caught it and twisted it inside out. Typical. The storm had been building all morning, but this wasn’t ordinary weather.
Not this time.
She ducked under the eaves of the old clockmaker’s shop — a place shuttered since before she was born. No one remembered who had last lived there. Some said it hadn’t been a person at all, but a timekeeper of the world itself. Folklore, mostly. Children’s stories.
Still, the shop door was unlocked.
She stepped inside.
Dust covered every surface. Clocks of all shapes, sizes and eras lined the walls, all unmoving, yet each seemed to hum with quiet anticipation. The air shimmered faintly, as if breathing. In the centre of the room stood a single rain-soaked table — not wet with fresh water, but glistening with hundreds of tiny glass orbs.
Raindrops.
She picked one up. Inside was a flicker — a swirl — a scene.
A boy running across a golden field. A ship vanishing into mist. A woman kneeling in a forest of stars. The drop shimmered and changed as she watched, each image flowing into the next like water. Each orb contained a moment. A story. A whole world.
She picked up another. It was her, younger, running through this same village on a day just like this — the last day she saw her brother before he vanished without a trace.
The rain outside intensified, drumming against the windows.
Drawn forward, Elsie placed the orb on a metal platform beneath a great, ancient clock. As soon as it touched the surface, time shifted.
The room folded.
She was no longer in the shop.
She was there — back in that moment, at the edge of childhood, standing in the same rain-soaked lane, her brother ahead of her.
He turned, laughing, and said, “Come on, slowcoach!”
She ran to him, this time not too late. This time, no stranger called him away, no car backfired in the distance, no van pulled around the corner.
She held him by the sleeve.
He blinked, startled by her sudden intensity. “Else?”
“Don’t go with them,” she whispered. “Please.”
He tilted his head, rain dripping from his fringe. “Go with who?”
A moment later, the world pulled itself back inside the drop.
She was in the shop again.
Only now, the clocks ticked — a gentle chorus of time made whole.
The raindrops on the table had shifted, each glowing softly like captured starlight. One was missing.
Outside, the rain softened. Sunlight threaded through the clouds. She stepped into the world, not sure what had changed—only that something had. She felt it in her bones, in the rhythm of her heartbeat.
When she returned home, a photo was sitting on the mantlepiece. One she didn’t remember taking. It showed two grown siblings in front of a clockmaker’s shop, arms slung around each other, smiling in the rain.
Loosely based on my song Le Monde dans une Goutte de Pluie (A World in a Raindrop) Listen Below